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Juan Moneo Lara, known artistically as “El Torta”, is a legendary figure in the world of flamenco. His voice, full of nuances and depths, has marked a before and after in this musical genre. From Tablao Flamenco Andalusí we would like to pay tribute to Juan Moneo El Torta by talking about his well-deserved admiration from his audience, his life, career and legacy. Few have caught up with the cantaor from Jerez in his flamenco art, whose influence continues to this day.
Juan Moneo was born in Jerez de la Frontera, birthplace of great flamenco artists, in 1953. From a very young age, he showed a natural inclination towards singing, influenced by his family environment and the rich cultural atmosphere of his hometown. Jerez, known for its deep flamenco tradition, was the perfect breeding ground for the artistic development of “El Torta”.
El Torta grew up listening to flamenco greats such as Antonio Mairena, La Paquera de Jerez and Camarón de la Isla. These influences shaped his style, characterised by a visceral delivery and an authenticity that few artists manage to achieve. His voice, raspy and full of emotion, is unmistakable and has become a point of reference for new generations of cantaores.
Beginnings and Recognition
El Torta began his professional career in the 1970s, participating in numerous flamenco festivals and competitions. His innate talent and charisma soon earned him the recognition of the public and critics alike. Throughout his career, he collaborated with numerous renowned guitarists and dancers, leaving an indelible mark on the occasional flamenco show Seville.
Juan Moneo’s discography is vast and varied, reflecting his artistic evolution over the years. Some of his most outstanding albums include “Momentos”, “Colores Morenos” and “Al compás de la leyenda”. Each of these works shows the depth and versatility of his art, consolidating him as one of the great exponents of contemporary flamenco.
Throughout his career, “El Torta” starred in numerous memorable performances. His concerts at the Bienal de Flamenco Sevilla and at the Festival de Jerez are remembered with special affection by aficionados. His ability to connect with the audience and transmit deep emotions made each performance a unique and unforgettable experience.
Impact on Modern Flamenco
The legacy of Juan Moneo “El Torta” extends beyond his music. His authentic and passionate approach to flamenco has inspired countless artists and aficionados. His influence is evident in the work of many contemporary cantaores who seek to emulate his style and commitment to the art of flamenco.
After his death in 2013, the flamenco world paid numerous tributes to “El Torta”. Festivals, concerts and publications were dedicated to celebrating his life and his contribution to flamenco. His memory lives on in the hearts of flamenco fans and his music continues to resonate in time.
Juan Moneo “El Torta” is, without a doubt, an essential figure in the history of flamenco. His voice and his art have left an indelible mark on this musical genre, and his legacy will last for generations. Her life and work are testimony to the richness and depth of flamenco, and her influence will continue to inspire future artists.
For those who wish to delve deeper into the figure of “El Torta” and his impact on flamenco, this article is just the beginning. His music and his story offer a unique window into one of the most vibrant and exciting periods of contemporary flamenco.
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Juan Moneo Lara, connu sous le nom artistique de “El Torta”, est une figure légendaire du monde du flamenco. Sa voix, pleine de nuances et de profondeur, a marqué un avant et un après dans ce genre musical. Le Tablao Flamenco Andalusí souhaite rendre hommage à Juan Moneo El Torta en évoquant l’admiration bien méritée de son public, sa vie, sa carrière et son héritage. Peu de gens ont rattrapé le cantaor de Jerez dans son art flamenco, dont l’influence perdure encore aujourd’hui.
Juan Moneo est né à Jerez de la Frontera, berceau des grands artistes flamenco, en 1953. Dès son plus jeune âge, il montre un penchant naturel pour le chant, influencé par son environnement familial et la riche atmosphère culturelle de sa ville natale. Jerez, connue pour sa profonde tradition flamenco, était le terreau idéal pour le développement artistique d'”El Torta”.
El Torta a grandi en écoutant les grands noms du flamenco tels qu’Antonio Mairena, La Paquera de Jerez et Camarón de la Isla. Ces influences ont façonné son style, caractérisé par une interprétation viscérale et une authenticité que peu d’artistes parviennent à atteindre. Sa voix, rauque et pleine d’émotion, est unique et est devenue une référence pour les nouvelles générations de cantaores.
Débuts et reconnaissance
El Torta a commencé sa carrière professionnelle dans les années 1970, en participant à de nombreux festivals et concours de flamenco. Son talent inné et son charisme lui valent rapidement la reconnaissance du public et de la critique. Tout au long de sa carrière, il a collaboré avec de nombreux guitaristes et danseurs de renom, laissant une trace indélébile dans les tablaos flamencos de Séville.
La discographie de Juan Moneo est vaste et variée, reflétant son évolution artistique au fil des ans. Parmi ses albums les plus remarquables, citons “Momentos”, “Colores Morenos” et “Al compás de la leyenda”. Chacune de ces œuvres témoigne de la profondeur et de la polyvalence de son art, le consolidant comme l’un des grands représentants du flamenco contemporain.
Tout au long de sa carrière, “El Torta” a donné de nombreuses représentations mémorables. Ses concerts à la Biennale de flamenco de Séville et au Festival de Jerez sont restés dans les mémoires avec une affection particulière. Sa capacité à communiquer avec le public et à transmettre des émotions profondes a fait de chaque représentation une expérience unique et inoubliable.
Impact sur le flamenco moderne
L’héritage de Juan Moneo “El Torta” va au-delà de sa musique. Son approche authentique et passionnée du flamenco a inspiré d’innombrables artistes et aficionados. Son influence est évidente dans le travail de nombreux cantaores contemporains qui cherchent à imiter son style et son engagement dans l’art du flamenco.
Après sa mort en 2013, le monde du flamenco a rendu de nombreux hommages à “El Torta”. Des festivals, des concerts et des publications ont été consacrés à la célébration de sa vie et de sa contribution au flamenco. Sa mémoire demeure dans le cœur des amateurs de flamenco et sa musique continue de résonner dans le temps.
Juan Moneo “El Torta” est, sans aucun doute, une figure essentielle de l’histoire du flamenco. Sa voix et son art ont laissé une empreinte indélébile sur ce genre musical, et son héritage perdurera pendant des générations. Sa vie et son œuvre témoignent de la richesse et de la profondeur du flamenco, et son influence continuera d’inspirer les futurs artistes.
Pour ceux qui souhaitent approfondir la figure d'”El Torta” et son impact sur le flamenco, cet article n’est qu’un début. Sa musique et son histoire offrent une fenêtre unique sur l’une des périodes les plus vibrantes et les plus passionnantes du flamenco contemporain.
El cantaor flamenco Juan Murube (Sevilla, 1978) se cría en el barrio de Bellavista. Comienza su recorrido en concursos, tertulias, academias de baile y encuentros musicales y se forma de la mano de Paco Taranto, Miguel Poveda, Rafael de Utrera, Laura Vital y Manuel de Paula. Es un artista versátil que además de flamenco interpreta otros géneros musicales, como la música andalusí, hindú, el son cubano o el jazz. Además ha trabajado como actor y conoce el mundo del teatro. Ha formado parte de diversos grupos y compañías y ha realizado giras por medio mundo junto con artistas de reconocido prestigio. También ha trabajado en algunos de los mejores tablaos de España, siendo Los Gallos su alma mater. Se ha producido en algunos de los mejores festivales flamencos del panorama, como las Bienales de Sevilla y Málaga o los Festivaes de Mont-de-Marsan y Tolouse. Ha participado dos años en el Festival Internacional de danza de Itálica con María Cabeza de Vaca, José Maldonado y Abel Arana. En 2016 publicó su primer trabajo discográfico, titulado Bellavista. Ha impartido clases de cante en Francia, Dinamarca, Canadá, Estados Unidos o Japón. Actualmente participa en tres producciones audiovisuales de España, Italia e Israel y prepara su nuevo trabajo discográfico.
Es un cantaor flamenco nacido en Sevilla en 1984. Durante su trayectoria recorre importantes teatros y centros culturales de Europa, África, Asia y América en países como Francia, Alemania, Polonia, Grecia, Inglaterra, Escocia, Marruecos, Emiratos Árabes, Japón y Estados Unidos, alternando junto a Pedro El Granaíno con la compañía Eterno Camarón, de gira por España en 2015 y 2016.
Ha trabajado como cantaor en recitales y acompañando al baile en tablaos, peñas flamencas, ciclos flamencos, y festivales como: Jueves Flamencos de Cajasol junto a Esperanza Fernández en el espectáculo «Nostalgia», III Festival de Lyon (representando a la Peña Torres Macarena), Circuitos de Peñas Guardia en Sevilla, además de diferentes concursos de baile como el Nacional de Córdoba y La Unión, en los que contribuyó para conseguir pases a semifinales y primeros premios.
En 2022 sale su primer trabajo discográfico «Suspiros del Flamenco» en el que colaboran grandes artistas como Guadiana, Diego del Morao, Jesús Guerrero Torombo y Piraña, entre otros.
Bailaora de Sevilla, influenciada por el baile tradicional y actual, su concepto es sincero, elegante y potente. Sus maestros e influyentes son Rafael Riqueni, Enrique Morente, Camarón, La niña de los peines, Rocío Molina, Farruquito, Carmen Amaya, Matilde Coral, Manuela Vargas, Sorderita, entre otros. Aprendió y recibió cursos de Juan de los reyes, Milagros Menjibar, Pepe Torres, Farruquito, Carmen Ledesma, Rubén Olmos y Rocío Molina, entre otros. Su carrera es corta pero enriquecedora trabajando con muchos genios de esta época que le aportan sabiduría, sus proyectos más recientes se basan en la composición coreográfica de las composiciones musicales de R. Riqueni, así como su primer espectáculo en solitario.
Miguel Rosa es un percusionista sevillano. Se ha formado en diferentes estilos a lo largo de su carrera como en la batería en la Escuela Juan de la Oliva, en percusión cubana en el Instituto Superior de La Habana (ISA), en cajón flamenco con n Paquito González, Kike Terrón, Piraña,Ramón Porrina, Sabu porrina, Paco Vega,Rubén Dantas, Guillermo Mcgilll, entre otros y en baile flamenco acompañando Juana Amaya, José Galván, Carmen Ledezma, Marco de Ana, Miguel El Rubio, Manuela Rios , entre otros.
Pedro Viscomi Martin is a flamenco guitarist from Huelva who now lives in Seville. He has a flamenco heritage thanks to his grandfather, a Flamenco lover and the main owner of “Peña Flamenca”, in Huelva. He took his first guitar classes at the age of 7, his dad was his teacher. At 11 years old, he played his first concert.
Pedro continued increasing his knowledge in music with the famous guitarist Agustín de la Fuente, from Jerez, who made Pedro, at the age of 14 years old, the Second guitar accompanying the dance and singing in different Jazz, Fusion and World-Music groups. During his trajectory he’s traveled to Ireland, Great Britain, Holland, Denmark, Austria, Germany, Switzerland, France, Italy, Canada, Mexico, South Korea, Spain, playing his guitar in lots of concerts among different flamenco groups with famous Flamenco performers.
Pedro Barragán started his studies at the Superior Conservatory of Music El Liceo de Barcelona during the year 1997 with the Master Manuel Granados, where he was trained as a guitarist. Learning under “maestros” like Rafael Riqueni, Miguel Ángel Cortés, Miguel Ochando, Gerardo Nuñez, Manolo Franco, Niño de Pura or Juan Habichuela.
Thanks to a contest that he won in 2004, Pedro Barragá studied for one year at the Cristina Heeren Foundation. Right after that year, he started working there as a Professor.
He played the guitar with some of the first flamenco figures like Carmen Linares, Chano Lobato, Gabriel Moreno, Inés Bacán, Nano de Jerez, Paco Taranto, Fernando de la Morena, Miguel Ochando, Rafael Riqueni o Juan Habichuel. Pedro also played at the Bienal of Sevilla, Málaga and Holland, the Voix de Femmes of París or Berlin ‘s Festival.
In 2008, he won the 1st Prize for his original composition “La Mejor Música Original” at the Choreography Contest of Albéniz Theater (Madrid).
Noelia Vilches, who was born in Burgos, started her training in Ballet and Spanish Dance at 6 years old so she could specialize in Flamenco Dancing later in time.
Winner of multiple awards like First Prize at the “Federación de Peñas de Málaga”, “Jóvenes Talentos de Nerja”, “Concurso Nacional de Baile Flamenco de Ronda”, or Second Prize at the “Concurso Nacional de Arte Flamenco de Ubrique”
It is worth mentioning her participation in different prestigious Festivals like the Festival de Jerez, Festival Flamenco de Mont de Marsan or Festival Flamenco de Bruselas, while she was part of Joaquin Grilo’s Flamenco group.
Fernando Caballo, a Sevillian singer with marcheneros origins. Graduated in Teaching the field of music, studying with Masters like José de La Tomasa, Julián Estrada, Juan José Amador, El Lebrijano, Calixto Sánchez, among others.
He started singing professionally at 11 years old, mastering both as a dancer’s accompaniment and as a solo singer, receiving multiple awards thanks to singing alegrías and cantiñas, soleá and saetas.